Métis artist David Hannan works with taxidermy-form sculptures to explore aspects of union, adaptation and metamorphosis. Hannan‘s taxidermy hybrids present tension and beauty in the merging of animals into sculptures. Many of the themes in Hannan’s art derive from his Aboriginal heritage, particularly his engagement with history, and notions of territory. His work uses taxidermy forms to make transformational sculptures that evoke emotional responses of fear, endearment and aggression. Traditionally, taxidermy forms have been used as the basis of a hunter’s trophy, where the skin of an animal is stretched over the form to be preserved. In Hannan’s work however, instead of using animal skin, he uses packing tape to wrap and produce new species. For Gallery 101, Hannan creates an installation of life-sized deer and coyote sculptures that are suspended, resembling a twisted merry go-round. References to skin/body, vessel/content, are brought into play as the light seeps through the transparency of the tape, creating a glow of light that pierces through and elevates their simple materiality. This installation in many ways deals with death and transcendence as the forms hang, like empty vessels for beings that once were. In conjunction with the works installed on the first floor of the gallery, a satellite project accompanying the exhibit will consist of a series of cast coyote forms placed in domestic spaces. Photographs of the coyotes at various Ottawa local homes will be available at the gallery and will be presented as pseudo family shots of the participants with their guest pets. This performative conviviality with the animal form aims at raising questions about human/animal relations. “The spirit of the coyote is so mighty that the human being cannot understand what it is, or what it can do for mankind in the future.” 1 Jessie Lacayo, Curator
Thursday, October 19, 2006 to Saturday, November 18, 2006Opening
1. Tisdall, Joseph Beuys, Coyote, p. 26.
- Thursday, October 19, 2006